PLAN YOUR VISIT

The BROADWATER is a fourplex of theatres at the corner of Santa Monica Blvd and Lillian Way (6322 Santa Monica Blvd / 1078 Lillian Way, Los Angeles 90038) . One block west of Santa Monica & Vine.

Don’t listen to them (that was one of the clowns typing). Your tickets will be waiting for you at our will call desk in front of your theatre’s entrance 1/2 an hour prior to curtain.

No. There are adult themes and language involved. I suggest you use your discretion.

Not clowns in the birthday party /circus sense. But also not clowns in the Stephen King/Horror film/’killer clowns’ sense either. Our clowns reach back to theatre in its original source. A bit of Comedia-de- arte with a twist.

And, of course, many of our shows don’t employ clowns at all. But to your first question, pretty much ALL our shows have been written with an adult audience in mind.

You will recognize us by our Theatre Ghosts logo. If you see the clown nose… yeah, there may be clowns.

First, please know that there is no assigned seating. And second, please be on time. Fringe runs on a tight schedule, and we can’t hold the curtain as much as we’d like to. Some shows due to their staging can’t even allow late seating (refer back to your specific show for more info on that).

Ahhhhhhhhh yes. Parking … in LA. That kind of sums it up, doesn’t it? There is no parking lot. There is ample street parking but this is Los Angeles. We recommend you Uber, rideshare, walk or bus, but if you must drive, give yourself plenty of time (might I suggest an extra 30 minutes) to find that elusive target: an open parking spot. AND, if Thespis is with you and you do secure a space quickly you can always lounge in The PLUNGE (Broadwater’s bar–conveniently located on the exact corner of Santa Monica Blvd & Lillian Way.

Trick question:

That depends upon your pallet now, doesn’t it? There are a smorgasbord of delicacies, specialties and fast food within walking, let alone driving distance. And of course, if you just want to wet your whistle, may we suggest The PLUNGE.

Of course, we recommend seeing ALL of our Theatre Ghosts productions being presented this year at the BROADWATER:

DEAD MAN by Ann Noble

SECOND RODEO by Michael Perlmutter

CINDY IS RIGHT NOW by Lacy Allen (co-produced alongside Solo Recess)

FIRE ESCAPE by Emily Boyle (co-produced alongside Solo Recess)

PUPPYDOG by Emilie Langjhar (co-produced alongside Solo Recess)

TRENCH by Ann Loud (co-produced alongside Solo Recess)

If you have any other questions, please let us know:

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